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Asia Society
China Institute
The Charles B. Wang Center
Stony Brook University
100 Nicolls Road
Stony Brook, NY 11794
(631) 632 4400
thewangcenter.org
Mon–Fri 10am–8pm
Sat & Sun 12–8pm
Free admission
Blanket from Zhuang Tribal, early 20th century, silk supplementary weft on a fine cotton tabby ground, 45 x 67 in., Collection of Chinalai Tribal Antiques
Blanket from Zhuang Tribal, early 20th century, silk supplementary weft on a fine cotton tabby ground, 45 x 67 in., Collection of Chinalai Tribal Antiques
Blanket from Buyi Tribal, circa 1900, silk supplementary weft on plain woven cotton, framed in cotton, 53 x 60 in., Collection of Chinalai Tribal Antiques
Blanket from Buyi Tribal, circa 1900, silk supplementary weft on plain woven cotton, framed in cotton, 53 x 60 in., Collection of Chinalai Tribal Antiques
Tapestry (shroud) from Yi Tribal, 18th century, silk embroidery on cotton tabby,
47 x 75 in., Collection of Chinalai Tribal Antiques
Tapestry (shroud) from Yi Tribal, 18th century, silk embroidery on cotton tabby,
47 x 75 in., Collection of Chinalai Tribal Antiques
Auspicious Dreams: Tribal Blankets from Southern China
March 9–May 31, 2022
Skylight Gallery, Zodiac Gallery
The Charles B. Wang Center celebrates precious, rarely seen Chinese textiles, specifically blankets made by South and Southwest Chinese tribes in our Auspicious Dreams: Tribal Blankets from Southern China exhibition. Often made with fine materials, exemplary techniques, and unparalleled artistry, these striking textiles convey the unique identities, statuses, and traditions of diverse Chinese tribal groups.
Curated by Vichai and Lee Chinalai of Chinalai Tribal Antiques and Jinyoung Jin, director of cultural programs at the Charles B. Wang Center, the treasures in this exhibition take visitors on a remarkable journey across regions and time.
Long Term Installations
Again by Seongmin Ahn
Charles B. Wang Center Main Lobby
Again is a typographical mural by Brooklyn-based artist Seongmin Ahn, expressing her manifesto of overcoming the global COVID-19 pandemic. The mural is a cross-cultural exchange and community bonds, and it incorporates both Eastern and Western styles, motifs, ornaments, and symbols. The ornamented images celebrates "the beginning of a prosperous future again" in various languages, including Korean, English, Spanish, Chinese, and Hindi.
The mural has been installed in various communities in New York City, including the neighborhood of Corona, Queens, an area that was hit hard by COVID-19.
The Studio: Through a Surrealistic Lens
Charles B. Wang Center Theatre Gallery
White, flat, dreamlike spaces, serving as thresholds between the inner, subjective self and the external, physical world, were a subject that fascinated the South Korea-based project group GREEM (a name that literally translates to “picture” in Korean). GREEM’s goal is to elicit feelings of strangeness, difference, curiosity, and fun in its audiences. Following a long and rich Surrealist tradition, GREEM draws inspiration from dreamlike narratives, absurd juxtapositions, and comic books for new graphic languages.
A huge, flattened, and cartoon-like artist’s studio in white and black is open, inviting viewers to live out their surrealistic fantasies. The realistic detailing of the artist’s studio also adds touches of humor, utility, and everyday-ness. As soon as the viewer enters the studio (which is carefully modeled and gives the illusion of a three-dimensional form), surrealistic dreams are triggered; the white, flat scene and the viewer’s point of view are disrupted.
The current exhibition is designed to be reproduced and seen on social media as much as it is meant to be enjoyed in its actual location. This imaginative exhibition crosses perspective, culture, and media.
Curated by Jinyoung Jin, Director of Cultural Programs at the Charles B. Wang Center, this exhibition is designed and presented by Project Group GREEM, based in Seoul, South Korea.
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